Friday, 8 May 2009

Final Independent study...

Independent study
“This is your last chance for a f***ing peaceful night, deliver the f***ing pizza she wants or your mum and dad will be down the f***ing morgue at four in the morning indentifying your f***ing body.”[1]
How are males represented in the true story of "Rise of the Foot Soldier?"
Historically, there has always been an assumption that men are the ruling sex, women are subordinate to them and their sole purpose is to please their sexual desires. However, this study will contemplate this argument and see whether this stereotypical view of “Men nurturing their society by shedding their blood, their sweat and the semen"[2] still exists by focusing on the representation of males in a contemporary text. The root of this study is based on a true story called "Rise of the Foot Soldier" which was produced in 2007 and directed by Julian Gilbey. The film illustrates the true events of the Range Rover murders that occurred in Essex in the 80's. The film is solely based around Ricci Harnett (our main protagonist) and the life of turmoil that he went through, alongside with him his hooligans and his fellow bouncers. For Harnett “aggressive male behaviour is accepted as a normal part of everyday life"[3] as each day he is faced with violent conduct to protect himself, his dignity and his power in order for him to make a living.
Throughout the film each masculine character is represented as a villain or a criminal which relates the genre of the film being action. Ricci Harnett plays the character of Carlton Leach, in the opening of the film Harnett is represented as a pub hungry football hooligan where his life was focused on mob brutality. This representation changes and emphasises the prospect of rags to riches as his hooligan days come to an end and his new life as a bouncer begins. It is portrayed that the character feels that "Masculinity is not something given to you, but sometimes you gain. And you gain it by winning small battles with honour”,[4] which is achieved through his new career. His ‘small battles’ during his hooligan period brought him to realise how honour can truly be gained. This is revealed through the characters costume of a suit needed for his occupation as we see his clothing change from informal to formal. However, this was only the first step up the criminal ladder for Harnett as he moved on to do bigger more treacherous jobs involving drugs. He spoke “Football was where the spite and hatred first came from.”[5] This quotation reinforces Harnett’s representation of his character throughout the film as he gathered the courage, bravery and confidence from football to take more brutal actions. It can also be interpreted that his love of football caused him to become violent and if it weren’t for football he may not behave in the manner he does; it’s because of his love and passion for football that his taste of hatred for the opposition came from. This addresses Cohen’s theory of moral panic amongst society as hooligans are stereotypically shown as fearful and is marginalised because of this. The use of the words ‘spite’ and ‘hatred’ are rather cold and bitter words which could be interpreted as reflecting a ruthless side to the character and once again highlighting his hooligan nature. He uses his passion for football as fuel for his anger and perhaps jealousy when other teams are doing better than his, or similarly if someone is a threat to him.
Terry Stone plays the character of Tony Tucker; and is represented as the “drug lord” in the film who smuggles illegal drugs into the country. His representation of a drug lord is perceived through the lifestyle of luxury he lives for example the parties he goes to, the girls he is with and the drugs he consumes. “Men renowned for the ability and inclination to be stoned”[6] is a reference which emphasize the characters portrayal. It shows how his status of being a drug lord allows him to live his life in any way in which he pleases, this quote captures the attitude that his status gives him the ‘ability’ and the power to be ‘stoned’. This also shows that men are allowed to take on this role as being someone completely in power of what he does.
Craig Fairbrass plays the character of Pat Tate, the most aggressive character of them all. He is represented as the right hand man of Tony Tucker who fights his battles for him. “A market was created for representations of power in the arena men could still claim as distinctively their own, plain violence”[7]. Here we see a view on male dominance, Pat Tate allows himself to be controlled by Tony Tucker as if he were a puppet fighting in the ‘arena’ for him. It also suggests that males are also striving to be dominant over other males. This representation challenges the stereotype of women being passive in society as we are shown that men too are struggling for power against other male. Pat Tat being subordinate to Tony Tucker allows him to have the emotion of power which links to Freud’s theory of the penis envy as he feels that he is being controlled over a powerful figure.
The representations of the masculine characters are a fair and realistic view of them. A typical male in the 80’s was seen to be the hard workers or breadwinners that control women who were just seen to be housewives. However, this fair and realistic view of them has a negative influence on the audience as it suggests to a male audience that they are the dominant sex and they can say and treat women the way want to. “Men arrived there as a result of their power striving, which led to a society drained of context.”[8] This quote follows the biblical idea that Eve (the woman) was produced from Adam’s rib (the male), therefore symbolising that women would not be created if it were not for man in the first case, consequently giving men power over women. It also gives the idea that men have been in control since the day of creation and should therefore continue to be the superior sex.
Focusing on a historical text such as “The Firm” which was created in 1988 and directed by Alan Clarke portrays similar representations to that of “Rise of the Foot Soldier.” The male characters in both films are represented as football hooligans who fight for the preferred team. Bexy from “The Firm” and Leach from “Rise of the Foot Soldier” are both represented as the leaders of their fierce, notorious gangs who have to act brave so that they hold their reputation and status that they have built up. Bexy said “Man who bottles out gets bottled in”[9], this shows his opinion on violence, saying that someone who does not stand and fight is a coward and therefore will be punished. The use of the word ‘bottled’ reflects his colloquial language- language that would be used by a football hooligan. It also has connotations of a harsh, brutal nature that can be seen in gang warfare. On the other hand, Leach spoke “What’s this all about Eddie, there’s Millwall and Tottenham all over this place, I keep waiting for it to kick off”[10], which shows that Leach is almost surprised that there has not been a fight yet. This suggests that Leach is always in surroundings were there is hostility and finds it hard to be seeing peace around him. Likewise to Bexy, Leach also uses colloquial language such as the word “kick off “to refer to a fight or clash. By using this language the similarity can be drawn with Bexy as they both use informal words which are quite insensitive, therefore showing a link in their personalities and way of life. Concluding upon this, the film attracts a working class audience as the language that is used is more appropriate for social classes of C2 and below due to the fact that they are seen to be less educated than middle class.
The main cause for the male’s violent actions is because of the use of drugs. It revealed to the audience that by taking drugs there will be consequences such as mood swings, aggressive behaviour and addiction. Audiences, watching the film could engage with the consequences as they can be more alert of the dangers that drugs and drugs users obtain and create a solution to solve this issue; uses and gratifications: surveillance purposes. An example of this in “Rise of the Foot Soldier” would be, the point of view shot of Harnett in a club were he was under the consumption of drugs and the camera effects were blurred out so that it put the audience in the protagonist shoes and showed them how he is feeling. This had a huge effect on society as the amount of drug users increased and therefore drug dealers had more of a demand resulting in them attempting to smuggle more drugs into the country which made matters more risky. “It revealed that 40% of the 179 drug users in the island use drugs, with some addicts spending more than £200 a week on the substance.”[11] This statistic proves that there is an increase in today society within the drug users which means that the issue needs to be addressed and put forward by the media for it to try and be stopped before issues get worser.
As “Rise of the Foot Soldier” is based on a true story, there have been reports from BBC news on the case of the “Essex boy’s murders” clearly stating that “At the court of Appeal their lawyers argued a book, TV and film deal struck by key witness Darren Nicholls made his evidence unreliable.”[12] This report suggests that the film is an exaggerated version of the real life events; the film was sensationalised so that it appeals to wider audience. The director has maintained the story’s authenticity whilst incorporating elements of exaggeration. The scene which was most obvious to this exaggeration was the memorable train fight which took place. In this scene there were a gang of hooligan with baseball bats, chains and machetes standing on the platform awaiting the rival fans. This shows exaggeration as in reality they would no be able to hold weapons of this sort on the train platforms due to security.
The use of drugs and violence in the film have been maximised to attract a wider target market of a younger generations; teenagers. They have done this so that the youth can identify which path is the correct one to take in life and shows them how drastic consequences can be i.e. for surveillance purpose. It has takes the use of drugs to the extremes not just for entertainment purposes, but also to show the viewers what could happen. The director, Julian Gilbey, uses shock to reflect the consequence of drug use by linking all the worst case scenarios and to catch the viewer’s attention. Gilbey has made this evident to the audience by creating the character of Tony Tucker and his “inclination to be stoned”[13] throughout the film which reflect the actions he takes on other characters.
Moreover, the film portrays clear and concise elements of a patriarchal society, whereby men are the more dominant sex in society. The male characters in the film treated women with no respect and were represented as just housewives. Characters such as Leach, Tucker and Tate have used derogative actions towards women, putting down females on a whole. Each of the characters has a significant scene in the film which symbolises their power and status where they use women to pleasure them sexually in settings such as cars, living areas etc. This signifies that the women must have no worth to them as they are having sex in hideous settings. "If anything the media act to reinforce already existing attitudes and values regarding women and violence. They do contribute, but only part of the problem."[14] This reflects that the media are just highlighting the prospect of existing attitudes and values they have not necessarily promoted the issue. The idea that women are treated unequally to males was not brought about by the media but reported about, which suggests that female values would still be there even if the media was not, therefore showing the reality of how women are treated.
The women in the film are represented as victims to this male dominancy which is portrayed in the film. The women have no say and if they attempt to then they are faced with violent aggressive behaviour from the male. “It’s easy to say that testosterone causes aggression; the truth- that testosterone levels and aggressive behaviour are linked in a circular relationship”[15] This quotation sympathises with a female audience as the increasing levels of testosterone causes sexual frustration within the man which leads to aggressive behaviour towards the female, leaving the audience feeling sorry for the women. The women are almost seen to be the male’s possession whereby; they can be picked up and used any time, which confines them to be perceived as subordinate to men. Historically, women were seen in the media as housewife’s suffering a “dual burden”[16] were they will look after the house, children and husband. This has a positive effect on the male audience (preferred reading) as males can personally identify with male pride which has increased due to the amount of women the male has had sex with. However, it has had a negative effect on the female audience (oppositional reading) as they are just seen to be degraded by males as they are being used as sex objects. However, women in today’s society are seen as more promiscuous as it has become more acceptable due to second wave feminism as the introduction to the contraceptive pill allows them to control birth rate.
This proves the assumption that the man is the ruling sex and that women are subordinate to them and are just seen to please their sexual desires. As quoted by Laura Mulvey herself “there is no purpose for women in the media, as they are only being objectified as sex objects to satisfy the male gaze.”[17] The words “male gaze” reflects the male audience and how women are shown in promiscuous scenes to attract their attention persuading them to watch further. This suggests that women cannot be in films if they do not have the right appearance; the blonde bimbo. The “blonde bimbo” or the “Essex girl” is seen to be women with big breasts, blue glazed eyes and blonde hair which unconsciously draws the attention of the male audience so they “gaze” at what is being shown on screen.
Furthermore, in the opening of the film Harnett’s character was represented as the “typical man”, strong, bold, brave and confident. Nevertheless, as the film prolongs the character’s representation breaks and evolves into the “new man”. The “new man” is perceived to be a man who aims to be caring and sensitive and gets in contact with his feminine side. Young and Wilmott suggested that the new man came about due to women expectations changing so that men are as equal as women and do jobs women do. "Poofs can look like real men...therefore real men look like poofs."[18] This quote refers to men being equal not matter what their sexual preferences are. It implies that if a “poof” can look like a man, then subsequently a man can look like a “poof” which suggests that every man has the new man in them.
The “new man” in Leach was evolved in the later stages of the film where the character’s bravery, strength and pride all blew to end as he flooded himself with tears; he had just found out that Tucker and Tate were dead. This sympathized with the audience as, in the beginning of the film Leach was represented as fearless and cold hearted and by the end of the film his representation broke showing that males can be emotional. “Gender is like fluid and can change within different contexts and over time”[19] This reinforces the evolution of the “new man” within Leach and suggests that with time the new man does reveal itself in some shape or form. The fluid acts as a means of an unfixed construction which is always changing with time, like the modern man today is in touch with his female side and is not as shy to show it. The reason for this is because society has become more accepting with males being more feminine.
Gilbey has maximised the level of “new man” shown to the audience so that the characters role does not break. This suggests the Gilbey has ended the film in this way so that the audience understand what has happened and what the consequences are. It is an overstated view of emotions by the character from the director so that the audience can see the harsh reality so they do not get involved in illegal issues.
Ultimately, the title of the study was based on a debate to discuss the way males are represented in the true story of “Rise of the Foot Soldier”. In the film, the audience see features of both the man and the “new man,” which represented that the man has the “new man” in them or vice versa. Leach in particular, was showed with both elements of the man which suggests that society is in a changing progress were people are more free to express their emotions and feelings. It also can enforce that women are battling strong in the power strive of society, to be equal. Gilbey has represented these characters in a fair and accurate view point however; their actions have been exaggerated and maximised so that the film looks more interesting which will attract a wider audience into watching the film. Gilbey, in other words has mediated the text by exaggerating certain actions of the character which had an influence in the true event that actually did take place as “At the court of Appeal their lawyers argued a book, TV and film deal struck by key witness Darren Nicholls made his evidence unreliable.”[20]

Word count: 3057

[1] Rise of the Foot Soldier- Julian Gilbey 2007
[2] Gilmore D 1990: pg 230.
[3] Lewis G 1983: pg 11.
[4] Mailer N 1966: pg 61.
[5] Rise of the Foot Soldier- Julian Gilbey 2007
[6] Clare A 2002: pg 73.
7 Connelle R.W 1987: pg 215.
8 Faludi S 1999: pg 599.


[9] The Firm – Alan Clarke 1988
[10] Rise of the Foot Soldier- Julian Gilbey 2007
[11] http://news.bbc.co.uk/1/hi/world/europe/3045179.stm
[12] http://news.bbc.co.uk/1/hi/england/7070586.stm
[13] Clare A 2002: pg 73
[14] Kimmel M.S 1987: pg 212
[15] Faludi S 1999: pg 599
[16] Dumcombe and Marsden
[17] http://filmtvindustry.suite101.com/article.cfm/women_in_film
[18] Healey M 1994
[19] Foucault, M 1980 pg54
[20] http://news.bbc.co.uk/1/hi/england/7070586.stm

Monday, 20 April 2009

"Can we determine genre from Mise-en-Scene?"

Intro
In the intrduction of this essay I will be introducing the signifcance of mis-en-scene and what role it has in films. Following on from this I will then talk about genre and the theory behind it. I will use the slasher genre as a refference to this essay.

Paro 1
In the first paragraph I will be talking about the typical costumes that are contained within the salsher genre. I will discuss whether this determins the genre and what effect it has on the audience.

Paro 2
In the second paragraph I will be analysing the characters role in slasher genre making refference to the final girl. I will link this to society and talk about how women have gained more powerful roles in the years due to feminisim.

Paro 3
In the third paragraph I will be discussing the music which is profound in the slasher genre and how it creates the mood and atmosphere for the audience. Talk about how the string instruments and dark beats made refference to the genre.

Paro 4
In the fourth paragraph I will be analysing the lighting and setting that the slasher genre conforms. I will make refference to TCM the new and the old version to see how they have kept the same to keep the authenticity of the production.

Conclusion
In the conslusion I will sum up the title of the essay, summarising what I have wrote in the essay so far. I will conclude all the points i have made and decide whether or not we can determine genre from mis-en-scene and give my own opinion on it.

Outline recent significant developments in one genre of your choice. Illustrae your answer with examples...

Intro
In the introduction I will give a brief description to what genre is and how it can be definied. From this I will introduce the slasher genre and state what typical conventions are always seen in them. After this I will then introduce scary movie as my essay being based upon that movie.

Paro 1
In the first paragraph I will disguinsh the difference between a sub-genre and a genre and talk about how that has become a development in itself. I will give a general feedback to see what impact it had on the audience and what is it popular?

Paro 2
In the second paragraph I will be disucssing the spoof genre and how the film scary movie devleloped its own genre through slasher conventions. I will talk about what impact it had on the audience and was it for escapsim puropses so that the audience can get away?

Paro 3
In the third paragraph I will talk about society and discuss the narratives of slasher genre and see if this had an effect to why the genre had to develop. Maybe the stroylines became to obvious for the audience? The killer may have been easy to identify? Talk about how scary movie had scenes from different films and see if this was to interact with the audience more.

Paro 4
In the foruth paragraph I will analyse the difference in slasher films today to the past and see what changes have been made and to what reason. I will also see if the films were exaggerated or is it today's films which are?

Conclusion
In the conclusion I will summarise the title and conclude what i have written in the essay in a short paragraph and give me own feedback so that i show my understanding to the examiner.

"Genres must adopt to survive" Discuss...

Intro
In the introduction of this essay title I was will be introducing what genre is and how can it be defined. Following on from this I will give examples of what types of genre there are and how people know if films fit into that specific genre. Lastly I will talk about the slasher genre and give brief outline of which films I will be paying attention to more closely.

Paro 1
In the first paragraph I will discuss the institutions of each film and see whether technology has made a massive difference for the slasher trying to survive. I will look in detail at scary movie due to the effects of the "matrix" being used in the film.

Paro 2
In the second paragraph I will be assessing the ideologies and values that took place in soceity historically and in the contemporoary. The reason for this is becuase the audience expecations have maybe changed over the years and if so what have they changed into and why. I will used the old version of TCM against the new version of TCM as a refference.

Paro 3
I will be seeing if any film has tried to break the typical conventions to the slasher genre and see came out good from it and what came out bad from it. I will be looking as scary movie as an example as it is a spoof.

Paro 4
I will talk about the political rights on cencorship which films were and wern't allowed depending on the time period in which they have been made. Looking at the old TCM and the new TCM.

Conclusion
I will conclude the title up in a summary, followed by a point about genre and then I will give my own opinion to make the title not biased.

Similarities between the old and new TCM...

Similarities:
Each film has the role of a final girl in them.
Both follow the same typical conventions to that of the slasher genre.
Both films are set in similar settings which are mainly abandoned.
Killer in both versions kills his victims in the same way; with the chainsaw.
Audience sadistic pleasure.
Both have the same pyshco killer who has come from a family of cannibals.

Differences:
In the 1974 verison the hitchhicker is a male, where as in the 2003 version it is a female.
The newer version is not censored.
Audience expectations have changed due to the different era's which these films have been made in.


Independant study targets...

  1. Proof read and check for spelling and grammar mistakes in my study and correct if any.
  2. Reach 3000 word limit.
  3. Add more historical text so it widens my context. Therefore I will be talking bout more films of the same genre such as Football Factory.
  4. Add general understanding of the genre itself.

Scary movie

Scary movie is a movie directed by Keenen Ivory Wayans and was published by Wayan bros entertainment. The film is a dark comedy which can be also known as a spoof. A spoof film is a film which takes scenes and elements from other films and is exaggerated by adding humour to it. This genre was designed to take the humour out of scary films so that it appeals to a wider audience so that the film makers obtain more money.

The main narrative of Scary movie was a based on Scream, where typical conventions and techniques were used in similar ways. Props such as the mask of the killer, the weapon of the knife and the voice of the killer have been all used but changed to give Scary movie its own feel to it.

The film being a spoof mimics other film of different genres besides the slasher, a prime example of this would be the matrix scene that was used in the film. The scene of the matrix did break the conventions of the slasher genre and challenged it which gave it a bigger impact for the audience as it was the technique has not been used previously.

Thursday, 2 April 2009

Nightmare on Elm Street Franchise

Below are all the Nightmare Elm Street series of the trilogy:
A Nightmare on Elm Street
A Nightmare on Elm Street 2: Freddy's Revenge
A Nightmare on Elm Street 3: Dream Warriors
A Nightmare on Elm Street 4: The Dream Master
A Nightmare on Elm Street 5: The Dream Child
Freddy's Dead: The Final Nightmare
Wes Craven's New Nightmare


Nightmare on Elm Street was one of the most striking film in the slasher genre as it brought a new sub genre to the slasher genre. The reason to this is because it give the audience a different feel to that of slasher films it let them with more of an impact than the usual slasher film.

Wes Craven's New Nightmare was the most recent of the series made which was a follow on from Freddyvs Jason; a clash of the two most faous villans in the slasher genre. The New Nightmare is more graphical and technicial than the first one with more special effects whereby the murders look more realistic.

Friday 13th Franchise

Friday the 13th was first released in 1980 where sequels followed on after years later. The first remake was ended recently in 2009. The remake was made to attract a younger generation to watch the film and he sequels which were produced in the 70's and 80's. Here is a list of all the films which starred Jason in:

Friday the 13th (1980)
Friday the 13th Part 2
Friday the 13th Part III
Friday the 13th: The Final Chapter
Friday the 13th: A New Beginning
Part VI: Jason Lives
Part VII: The New Blood
Part VIII: Jason Takes Manhattan
Jason Goes to Hell: The Final Friday
Jason X
Freddy vs. Jason
Friday the 13th (2009)

Each remake or sequel of Friday the 13th were all created by different directors where they have added their own ideas and innovated on the original film. By having different directors has made the narrative change from Friday the 13th to Jason X and Freddy vs Jason.

The main character in the film being Jason always appearing after he is dead keeps the suspense up for the audience as they will wonder what he will do next. This keeps the audience engaged with the sequel and makes them want to watch on.

The franchise was most recognisable with the film Freddy vs Jason as it brought together two of th most well known villains in the slasher genre to battle against each other.

Halloween:UK

The remake of Halloween which i propose for release in 2010 would d have similar conventions and techniques to the original however I would vary certain aspects of the film so that it is more interesting and engages the audience deeper.

Firstly, I would keep the character of the villain as his white faced mask works well with the genre of the film. The character's posture and his murder weapon suits the film and really grips the audience into the characters move.

I would also keep the soundtrack of the film as the original Halloween soundtrack is recognised all over the world and appeals to thousands. The soundtrack is original and is recognised for it being related to Halloween, which is a reason why i would keep this aspect of the film.

The aspects I would change for the remake would be to alter the narrative of the film as it is very basic. I would alter the film to have a twist in the end where by the audience will be in shock and make them watch the sequel if there is one.

Another aspect i would change for the remake would be not including the final girl. Although this convention is known for in the slasher genre, I would break the convention and not include the final and have the killer live on. This change may have a negative effect to it but it can have a positive one as well.

Overall, I think that my ideas are intresting however, I think that I will be breaking the orginial film too much which may result in a poor remake which wont make no money. Ideas such as not having the final girl would stand out to an audience but not be as intresting for them as if there was a final girl.

Monday, 23 February 2009

5 links...

Few Indians are Slumdogs or Millionaires.
http://www.guardian.co.uk/commentisfree/2009/jan/28/india-bollywood-slumdog-millionaire

How Telveision still suffers from stereotyping.
http://www.independent.co.uk/news/media/how-television-still-suffers-from-stereotyping-509417.html

An Indian drinking problem.
http://www.guardian.co.uk/commentisfree/2009/feb/04/india-women

Steamy TV in india tests the limits of sex taboos.
http://www.guardian.co.uk/world/2008/aug/24/india.television

The battle for British Asian comedy.
http://www.guardian.co.uk/stage/2008/nov/28/comedy-british-asian-sanjeev-bhaskar

The article which strikes me the most is streamy TV in India tests the limits of sex taboos. It striked me the most as it talks about the indian values and traditions and how they are changing in todays society. The article is sugessting that is an issue for women to become more sexual icons in films due to their family backgrounds and religious values they follow. The article states that women cannot be sexual objects due to their respect in society.

Friday, 6 February 2009

Independent study first draft...

Independent study
How are males represented in the true story of "Rise of the Foot Soldier?"
“This is your last chance for a f***ing peaceful night, deliver the f***ing pizza she wants or your mum and dad will be down the f***ing morgue at four in the morning indentifying your f***ing body.”[1] Historically, there has always been an assumption that men are the ruling sex, women are subordinate to them and their sole purpose is to please their sexual desires. However, this study will contemplate this argument and see whether this stereotypical view of “Men nurturing their society by shedding their blood, their sweat and the semen"[2] still exists by focusing on the representation of males in a contemporary text. The root of this study is based on a true story called "Rise of the Foot Soldier" which was produced in 2007 and directed by Julian Gilbey. The film illustrates the true events of the Range Rover murders that occurred in Essex in the 80's. The film is solely based around Ricci Harnett (our main protagonist) and the life of turmoil that he went through, alongside with him his hooligans and his fellow bouncers. For Harnett “aggressive male behaviour is accepted as a normal part of everyday life"[3] as each day he is faced with violent conduct to protect himself, his dignity and his power in order for him to make a living.

Throughout the film each masculine character is represented as a villain or a criminal which relates the genre of the film being action. Ricci Harnett plays the character of Carlton Leach, in the opening of the film Harnett is represented as a pub hungry football hooligan where his life was focused on mob brutality. This representation changes and emphasises the prospect of rags to riches as his hooligan days come to an end and his new life as a bouncer begins. It is portrayed that the character feels that "Masculinity is not something given to you, but sometimes you gain. And you gain it by winning small battles with honour”,[4] which is achieved through his new career. His ‘small battles’ during his hooligan period brought him to realise how honour can truly be gained. This is revealed through the characters costume of a suit needed for his occupation as we see his clothing change from informal to formal. However, this was only the first step up the criminal ladder for Harnett as he moved on to do bigger more treacherous jobs involving drugs. He spoke “Football was where the spite and hatred first came from.”[5] This quotation reinforces Harnett’s representation of his character throughout the film as he gathered the courage, bravery and confidence from football to take more brutal actions. It can also be interpreted that his love of football caused him to become violent and if it weren’t for football he may not behave in the manner he does; it’s because of his love and passion for football that his taste of hatred for the opposition came from. The use of the words ‘spite’ and ‘hatred’ are rather cold and bitter words which could be interpreted as reflecting a ruthless side to the character and once again highlighting his hooligan nature. He uses his passion for football as fuel for his anger and perhaps jealousy when other teams are doing better than his, or similarly if someone is a threat to him.

Terry Stone plays the character of Tony Tucker; and is represented as the “drug lord” in the film who smuggles illegal drugs into the country. His representation of a drug lord is perceived through the lifestyle of luxury he lives for example the parties he goes to, the girls he is with and the drugs he consumes. “Men renowned for the ability and inclination to be stoned”[6] is a reference which emphasize the characters portrayal. It shows how his status of being a drug lord allows him to live his life in any way in which he pleases, this quote captures the attitude that his status gives him the ‘ability’ and the power to be ‘stoned’. This also shows that men are allowed to take on this role as being someone completely in power of what he does.

Craig Fairbrass plays the character of Pat Tate, the most aggressive character of them all. He is represented as the right hand man of Tony Tucker who fights his battles for him. “A market was created for representations of power in the arena men could still claim as distinctively their own, plain violence”[7]. Here we see a view on male dominance, Pat Tate allows himself to be controlled by Tony Tucker as if he were a puppet fighting in the ‘arena’ for him. It also suggests that males are also striving to be dominant over other males.

The representations of the masculine characters are a fair and realistic view of them. A typical male in the 80’s was seen to be the hard workers or breadwinners that control women who were just seen to be housewives. However, this fair and realistic view of them has a negative influence on the audience as it suggests to a male audience that they are the dominant sex and they can say and treat women the way want to. “Men arrived there as a result of their power striving, which led to a society drained of context.”[8] This quote follows the biblical idea that Eve (the woman) was produced from Adam’s rib (the male), therefore symbolising that women would not be created if it were not for man in the first case, consequently giving men power over women. It also gives the idea that men have been in control since the day of creation and should therefore continue to be the superior sex.

Focusing on a historical text such as “The Firm” which was created in 1988 and directed by Alan Clarke portrays similar representations to that of “Rise of the Foot Soldier.” The male characters in both films are represented as football hooligans who fight for the preferred team. Bexy from “The Firm” and Leach from “Rise of the Foot Soldier” are both represented as the leaders of their fierce, notorious gangs who have to act brave so that they hold their reputation and status that they have built up. Bexy spoke “Man who bottles out gets bottled in”[9], this shows his opinion on violence, saying that someone who doesn’t stand and fight is a coward and therefore will be punished. The use of the word ‘bottled’ reflects his colloquial language- language that would be used by a football hooligan. It also has connotations of a harsh, brutal nature that can be seen in gang warfare. On the other hand, Leach spoke “What’s this all about Eddie, there’s Mill wall and Tottenham all over this place, I keep waiting for it to kick off”[10], which shows that Leach is almost surprised that there has not been a fight yet. This suggests that Leach is always in surroundings were there is hostility and finds it hard to be seeing peace around him. Likewise to Bexy, Leach also uses colloquial language such as the word “kick off “to refer to a fight or clash. By using this language the similarity can be drawn with Bexy as they both use informal words which are quite insensitive, therefore showing a link in their personalities and way of life.

The main cause for the male’s violent actions was because of the use of drugs. It showed the audience that by taking drugs there will be consequences such as mood swings, aggressive behaviour and addiction. An example of this in “Rise of the Foot Soldier” would be, the point of view shot of Harnett in a club were he was under the consumption of drugs and the camera effects were blurred out so that it put the audience in the protagonist shoes and showed them how he is feeling. This had a huge effect on society as the amount of drug users increased and therefore drug dealers had more of a demand resulting in them attempting to smuggle more drugs into the country which made matters more risky.

As “Rise of the Foot Soldier” is based on a true story, there have been reports from BBC news on the case of the “Essex boy’s murders” clearly stating that “At the court of Appeal their lawyers argued a book, TV and film deal struck by key witness Darren Nicholls made his evidence unreliable.”[11] This report suggests that the film is an exaggerated version of the real life events; the film was sensationalised so that it appeals to wider audience. The director has maintained the story’s authenticity whilst incorporating elements of exaggeration.

The use of drugs and violence in the film have been maximised to attract a wider target market of a younger generations; teenagers. They have done this so that the youth can identify which path is the correct one to take in life and shows them how drastic consequences can be i.e. for surveillance purpose. It has takes the use of drugs to the extremes not just for entertainment purposes, but also to show the viewers what could happen. The director, Julian Gilbey, uses shock to reflect the consequence of drug use by linking all the worst case scenarios and to catch the viewer’s attention. Gilbey has made this evident to the audience by creating the character of Tony Tucker and his “inclination to be stoned”[12] throughout the film which reflect the actions he takes on other characters.

Moreover, the film portrays clear and concise elements of a patriarchal society, where by men are the more dominant sex in society. The male characters in the film treated women with no respect and were represented as just housewives. Characters such as Leach, Tucker and Tate have used derogative actions towards women, putting down females on a whole. Each of the characters has a significant scene in the film which symbolises their power and status where they use women to pleasure them sexually in settings such as cars, living areas etc. This signifies that the women must have no worth to them as they are having sex in hideous settings. "If anything the media act to reinforce already existing attitudes and values regarding women and violence. They do contribute, but only part of the problem."[13] This reflects that the media are just highlighting the prospect of existing attitudes and values they have not necessarily promoted the issue. The idea that women are treated unequally to males was not brought about by the media but reported about, which suggests that female values would still be there even if the media was not, therefore showing the reality of how women are treated.

The women in the film are represented as victims to this male dominancy which is portrayed in the film. The women have no say and if they attempt to then they are faced with violent aggressive behaviour from the male. “It’s easy to say that testosterone causes aggression; the truth- that testosterone levels and aggressive behaviour are linked in a circular relationship”[14] This quotation sympathises with a female audience as the increasing levels of testosterone causes sexual frustration within the man which leads to aggressive behaviour towards the female, leaving the audience feeling sorry for the women. The women are almost seen to be the male’s possession where by; they can be picked up and used any time. This has a positive effect on the male audience (preferred reading) as male pride has increased due to the amount of women the male has had sex with. However, it has had a negative effect on the female audience (oppositional reading) as they are just seen to be degraded by males as they are being used as sex objects.

This proves the assumption that the man is the ruling sex and that women are subordinate to them and are just seen to please their sexual desires. As quoted by Laura Mulvey herself “there is no purpose for women in the media, as they are only being objectified as sex objects to satisfy the male gaze.”[15] The words “male gaze” reflects the male audience and how women are shown in promiscuous scenes to attract their attention persuading them to watch further. This suggests that women cannot be in films if they do not have the right appearance; the blonde bimbo. The “blonde bimbo” or the “Essex girl” is seen to be women with big breasts, blue glazed eyes and blonde hair which unconsciously draws the attention of the male audience so they “gaze” at what is being shown on screen.

Furthermore, in the opening of the film Harnett’s character was represented as the “typical man”, strong, bold, brave and confident. Nevertheless, as the film prolongs the character’s representation breaks and evolves into the “new man”. The “new man” is perceived to be a man who aims to be caring and sensitive and gets in contact with his feminine side. "Poofs can look like real men...therefore real men look like poofs."[16] This quote refers to men being equal not matter what their sexual preferences are. It implies that if a “poof” can look like a man, then subsequently a man can look like a “poof” which suggests that every man has the new man in them.

The “new man” in Leach was evolved in the later stages of the film where the character’s bravery, strength and pride all blew to end as he flooded himself with tears; he had just found out that Tucker and Tate were dead. This sympathized with the audience as, in the beginning of the film Leach was represented as fearless and cold hearted and by the end of the film his representation broke showing that males can be emotional. “Gender is like fluid and can change within different contexts and over time”[17] This reinforces the evolution of the “new man” within Leach and suggests that with time the new man does reveal itself in some shape or form. The fluid acts as a means of an unfixed construction which is always changing with time, like the modern man today is in touch with his female side and is not as shy to show it.

Gilbey has maximised the level of “new man” shown to the audience so that the characters role does not break. This suggests the Gilbey has ended the film in this way so that the audience understand what has happened and what the consequences are. It is an overstated view of emotions by the character from the director so that the audience can see the harsh reality so they do not get involved in illegal issues.

Ultimately, the title of the study was based on a debate to discuss the way males are represented in the true story of “Rise of the Foot Soldier”. In the film, the audience see features of both the man and the “new man,” which represented that the man has the “new man” in them or vice versa. Leach in particular, was showed with both elements of the man which suggests that society is in a changing progress were people are more free to express their emotions and feelings. It also can enforce that women are battling strong in the power strive of society, to be equal. Gilbey has represented these characters in a fair and accurate view point however; their actions have been exaggerated and maximised so that the film looks more interesting which will attract a wider audience into watching the film. Gilbey, in other words has mediated the text by exaggerating certain actions of the character which had an influence in the true event that actually did take place as “At the court of Appeal their lawyers argued a book, TV and film deal struck by key witness Darren Nicholls made his evidence unreliable.”[18]

Word count: 2656

[1] Rise of the Foot Soldier.
[2] Gilmore D 1990: pg 230.
[3] Lewis G 1983: pg 11.
[4] Mailer N 1966: pg 61.
[5] Rise of the Foot Soldier-moving image text
[6] Clare A 2002: pg 73.
7 Connelle R.W 1987: pg 215.
8 Faludi S 1999: pg 599.


[9] The firm – moving image text
[10] Rise of the foot soldier- moving image text
[11] http://news.bbc.co.uk/1/hi/england/7070586.stm
[12] Clare A 2002: pg 73
[13] Kimmel M.S 1987: pg 212
[14] Faludi S 1999: pg 599
[15] http://filmtvindustry.suite101.com/article.cfm/women_in_film
[16] Healey M 1994
[17] Foucault, M 1980
[18] http://news.bbc.co.uk/1/hi/england/7070586.stm

Biblography
Work cited
Books:
Clare, Anthony W. On Men: Masculinity in Crisis. New York: Vintage, 2001.
Connell, R. Gender and Power: Society, the Person, and Sexual Politics. Stanford: Stanford University Press, 1987.
Faludi, Susan. Stiffed - The Betrayal Of The American Man. New York City: William Morrow & Co, Inc., 1999.
Foucault, Michel. History of Sexuality Vol 1. New York: Vintage, 1980.
Gilmore, David D. MANHOOD IN THE MAKING Cultural Concepts of Masculinity. New Haven: Yale University Press, 1990.
Healey, Murray. 'The Mark of a man Masculine identities and the Art of Macho Drag Critical Quarterly’. England: 1994.
Kane, Pat. Dispatches from the gender quake zone. The Independent: The Independent, 2000.
Kimmel, Michael S. Changing Men: New Directions in Research on Men and Masculinity. Thousand Oaks: SAGE Publications, 1988.
Lewis, Glen. Real Men like Violence: Australian Men, Media and Violence. Kent Ridge: Intl Specialized Book Service Inc, 1985.

Websites:
BBC NEWS England New witness over gangland murders." BBC NEWS News Front Page. 5 Feb. 2009 .
"Norman Mailer Quotes - Quotations and Famous Quotes of Norman Mailer." Famous Quotes, Quotations and Proverbs in Proverbia.net. 5 Feb. 2009 ."Women, Sex and Film: The Objectified Woman and Her Quest For Subjectivity." Film/TV Industry @ Suite101.com. 5 Feb. 2009 .

Monday, 26 January 2009

First Paragraph re-write...

How are males represented in the true story of "Rise of the Foot Solider?"

“This is your last chance for a f***ing peaceful night, deliver the f***ing pizza she wants or your mum and dad will be down the f***ing morgue at four in the morning indentifying your f***ing body.”[1]

Historically, there has always been this assumption that men are the ruling sex and women are just there to wait on them and please their sexual desires. However, this study will contemplate this argument and see whether this stereotypical view of “Men nurturing their society by shedding their blood, their sweat and the semen"[2] still exists by focusing on the representation of males in a contemporary text. The root of this study is based on a true story called "Rise of the Foot Solider" which was produced in 2007 and directed by Julian Gilbey. The film illustrates the true events of the Range Rover murders that occurred in Essex in the 80's. The film is solely based around Ricci Harnett (our main protagonist) and the life of turmoil that he went through, along side with him his hooligans and his fellow bouncers. For Harnett “aggressive male behaviour is accepted as a normal part of everyday life"[3] as each day he is faced with violent conduct to protect himself, his dignity and his power in order for him to make a living.

[1] Rise of the Foot Soldier.
[2] Gilmore D 1990: pg 230.
[3] Lewis G 1983: pg 11.

Friday, 23 January 2009

Self Evaluation 2...

Attainment- 2- My level of work and achievement is up to a good standard and I feel that Iam inputting all the efforts needed to produce a good standard of work.

Effort- 1- I think that Iam a key attritbute to class disscusions and is not afraid to get something worng as it can be corrected. Also, my efforts with homework have been good as I spend a long time on my homework.

Punctuailty-3- My punctuailty needs to be improved as I have been late serveral times and missed 2/3 days of media due to illness.

Homework-1- I have given myself a 1 for my homework as I feel that I always give my homework on time and up to a satisfactory standard.

Working Independantly- 2- I have the ability to work on my own however, I need the motivation or the push from someone to do it all on my own.

Quality of writing- 3- I need to proof read my work and use more media terminology in my writing.

Organisation of Media folder- 3- I do not have a organised folder however, i do have all the sheets they just need to be put in order.

Oral contributions in class- 1- My oral contribution in class is excellent as I am always giving my own opinions and views.

Standard of Module 5 blog - 1- The standard of my med 5 blog is excellent as all the work is poster up with subheadings and colour codes to make it clear.

Standard of Module 6 blog- 2- All the work that need to be done is up on the blog however, it is not much on there.

WWW-
  • Oral contributuion.
  • Meeting homework dealines.
  • Presentation of blog work.

EBI-

  • Organise folder.
  • Proof read my work.
  • Use media a-z guide more often to gather more media terminology.

Monday, 5 January 2009

First Paragraph...

How are males represented in the true story of "Rise Of The Foot Solider?"

Since the early centuries of life, there has always been this assumption that men are the ruling sex and women are just their to wait on them and please their sexual desires. However, my study will contemplate this argument and see whether this stereotypical view of a patriarchal society still exists by focusing on the representation of males in a contemporary text. The root of my study is based on a true story called "Rise Of The Foot Solider" which was produced in 2007 and directed by Julian Gilbey. The film illustrates the true events of the Range Rover murders that occurred in Essex in the 80's. The film is Solly based around Ricci Harnett (our main protagonist) and the life of turmoil that he went through, along side with him his hooligans and his fellow bouncers.

Saturday, 3 January 2009

Essay Plan...

"How are males Represented in the true story of Rise Of The Footsolider?"

The title of study focuses on the representation of males, therefore I will be foucsing on how males act in the film, what they do and compare their roles to those of the females character and how they change over the film. I have chosen Rise Of The Footsoldier as my foucs as this film is based on a true story therefore the representation of males in that time decade are or maybe accurate as this is what was happening in society.

Introduction

In the introudction of my essay I will be giving a brief outline of the sotry line and what I hope to explore from my study and how I am going to go about it. I will end my introduction open minded so that the audience will not feel as if the essay is biased; it should sound debatable. I also will be talking about the representation of men in that time decade of the 80's so later on in my essay when I talk about the "new man" people can see the difference. (In, R, H, G)

Paragraph 1

In the opening of the first pargraph I will be concentrating on 3/4 of characters which are most apparent in my film.

  • I will look closely at what males are being represented as. (quote)
  • How males are being represented for example, through their costume, gestures, props etc.
  • Are these representation realistic or has the director exaggerated them?
  • If the representation is a positive or negative influence on the audience? (quote)
  • Compare my text to historical text and see if the representations have stayed the same or changed.
  • Aruge both sides. (So essay does no become one sided and bias.)

(R, A, ML, H)

Paragraph 2

In the second pargraph of my essay I will be concentrating on SHEP and talk about what males did in the film that effected society. Also, as the film is based on a true story I will be gathering articles about the issue and link it to the political element of SHEP.

  • How was drugs and violence portrayed in the film and how it effected the male characters and the society that they lived in? (quote)
  • Is the use of drugs and violence maximised or is it a fair accusation of issue in that time period?
  • Incorporate articles from the BBC into my study so that I can see what political issues were brought up and see if they have changed since or if they have stayed the same. (quotes)

(S, H, E, P, Ot)

Paragraph 3

In the third paragraph of the essay I will foucsing on the male dominancy in a patrichal society. I will be covering scenes which showed men in total control and women who were their just for sex.

  • How males are being represented in power? For example, costume, gestures, attidues, behaviour etc. (quote)
  • How women are acting towards the male dominancy in the film? (quote)
  • What are the typical stereotypes given to women in the film?
  • Were women in society just there to please males? or where they their to help men?
  • Argue both sides. (Laura Mulvey)

(R, Th, Id, S, ML)

Paragraph 4

In the fourth paragraph of my essay I will be exploring the narrative and how the representation of the man was changed through the years in the film.

  • How males were represented in the beginning of the film?
  • How the "new man" was formed in the later stages of the film?
  • With time does every man have the "new man" in them? (quote)
  • Is it a true, fair and accurate view of the "new man" or has the director minimised the level so that it does not break the charcters role?

(N, In, Th)

Conclusion

In the conclusion of my essay I will be summarising all my points about the representation of males and also see if the direcotr/film maker changed the story line so that the represenation of males was much more stronger.

  • Sumarise my title.
  • Answer it using evidence what I have gathered (both sides of the argument)
  • State whether or not it was a fair assumption of males.
  • State if the director made any changes to mediate the text so that it appeals to a wider audience.

(R, A, In, Opinion)

Link to References to include

  • Bibliography- Which i have created that i got my quotes from with the correct page reference and dates.
  • Websites- that i have got reviews from my film.

Historical texts...

The Firm



The firm is a TV film produced in 1988 about gang war well fare in football Hooliganism and how Bexy (the main protagonist) has a urge and drive for violence despite the fact that his wife hates it and tries to depict him from his crowd. All of his neighbours think he has a screw loss in his head, however through his actions everyone is scared to approach him and tell him.

I have chosen this film to compare to my text as i feel that it is relevant to my study as it mainly focuses on men and gangs. I can analyse the representation of men and compare it to the representation of men in Rise of the Footsolider and see if the stereotypes have changed or stayed the same. Also, the time period is the same for both films therefore, i can if one representations has been exaggerated than the other or if one has been changed to mediate the text.

The differences, that i have depicted from the two texts which i will be exploring is the reaction of both male protagonists when their wife's slap them across their face. In one film the protagonist reacts back to his wife in an aggressive manor by brutally abusing her and in the other the protagonist just shouts back and does not react in any violent way. This could signify where the "new man" just started to realease itself into the media.

I think that The Firm has some elements of male domaniancy in it however, not as much as rise of the footisoldier. This could be prehaps, cause the director of ROTFS may have exaggerated the repesentation and stereotypes so that it has a more dramatic effect on the audience.

Useful Facts
Directed by Alan Clarke.
Produced by David M Thompson.
Starring- Gary Oldman
Lesley Manville
Phil Davis
Charles Lawson.
Distributed by BBC.

3 Contemporary adverts...

Diet Coke Break

In this advertisement the women are represented to foucs on the mans body and the way he is drinking die coke, where as men are normally seen to be doing that; roles reveresed. This assumes that women are gaining the "power" in society were by they can do the same things as men do which maybe changing since the past were women were just represented as housewifes. Also, the text conveys some elements of irony as diet coke is targeted for women however, the man is drinking it.

Fresh Up

In this advert the males are being objectified as sex objects to attract the "female gaze," This switches the roles in society were men are starting to be seen more promiscuious. This then intorduces the "new man" were men are getting in touch with their feminine side by either pampering themseleves or caring avout the aperance.

L'Oreal

In this advertisement L'Oreal have used a celebrity icon; Beyonce to help persuade peope into purchasing their products. Even though this advert is a contermporary text it still has elements of women being objectifed as sex objects as Beyonce is in a short dress dancing in the advert. This proves that women are still being shown in the media for what they look like and how they look.

Friday, 2 January 2009

3 Historical Adverts...

shake and Vac

In this advertisement promoting shake an vac; a product which will be used to sprinkle over carpet before someone does the hoover. In the advert however, we all see a women using the product which immeditately distiguishes that the product is targeted to women. Also, in the advert the women is dressed in a stereotypical outfit of a housewife which assumes and represents women as housewifes were they stay indoors and clean.

Flash

In this advertisement the advert is trying to promote and persuade customers into purchasing the domestic cleaning product flash. As the shake and vac advert their are also similar elements of the representation of women being housewifes. however, in the flash advert it is more persuasive for women as it has a female voiceover which they give their opinion on the product.

Flake

In the advertisement above it is trying to persuade people intou buying the new cadbury's flake chocolate. In the beginning we see the women un wrapping and eating the chocolate. The chocolate in this instance is acting like a falic symbol to erouse men into thinking that the women is ment to be eating something else.

Subversions...







5 Female directors...

  • Gurinder Chadha- born on 10th Janurary 1960. British film director of indian origin. Most of her films explore the lives of indian living in the UK.

Filmography
Angus, Thongs and Perfect Snogging (2008)
Paris, je t'aime (2006) segment "Quais de Seine"
The Mistress of Spices (2005) (screenplay only)
Bride and Prejudice (2004)
Bend It Like Beckham (2002)
What's Cooking? (2000)
Rich Deceiver (1995), BBC two-part drama
A Nice Arrangement (1994)
What Do You Call an Indian Woman Who's Funny? (1994)
Bhaji on the Beach (1993)
Acting Our Age (1992)
Pain, Passion and Profit (1992) (V)
I'm British But... (1990) (TV)

  • Kimberly Peirce- born on September 8th, 1967, is an American film director.

Filmography
"The Last Good Breath" (1994) (
16mm short - director & writer)
Leopard of Tomorrow Program at 1994
Locarno International Film Festival[1]
Boys Don't Cry (1999) (director & writer)
The L Word (2006) (director - 1 episode (Lifeline - 3x05), TV series)
Stop-Loss (2008) (director & writer)

  • Diane Keaton- born on Janruary 5th 1946. American film director, actresses and producer

Filmography

Unstrung heros
The First Wives Club
Hanging Up

  • Maria Maggenti- born in 1962 and is a film director and screenwriter for film and television.

Filmography
Puccini for Beginners (2006)
The Love Letter (1999)
The Incredibly True Adventure of Two Girls in Love (1995)
La Donna è mobile (1994)
Name Day (1993)
Waiting for War (1991)
The Love Monster (1990)
Doctors, Liars & Women (1988)

  • Sharon Maguire- born in 1960 and is as film director in the UK.

Filmography
The Thing is... Babies (1991)
The Thing is... Hotels (1991)
The Godfather (1993)
In at Number Ten (1994)
Yo Picasso (1994)
Rumer Godden: An Indian Affair (1995)
H.G. Wells: Bromley Boy (1996)
H.G. Wells: The Panther and the Jaguar (1996)
Dame Henrietta's Dream (1997)
Bridget Jones's Diary (2001)
Incendiary (2008)

3 Ways to improve the issue...

  • Set up meetings and focus groups whic discuss the issues in why there arent any female directors and how it can be improved.
  • By having or creating more positive role models which other asparational female artists can look up to.
  • Bringing the issue up more frequently so that it becomes more apparent to society and hopefully motivate all the females out there to work hard.

5 Reasons why female directors are so rare...

  • One reason in which female directors are so rare is that the film industry is such a male dominant industry which makes it difficult for female directors to acutally show off their talents.
  • A second reason is that if a female director was to get pregnant and have a baby it will be very difficult to balance the life of a mother and director.
  • A third reason is that if female directors were sucessful their will be a decrease in the roles of "hoes", "bitches" and "housewifes" as the directors will give a different view of women showing them in power.
  • A fourth reason is tha their is no outstanding female director to look up to as a role model. Therefore, this makes it harder for up and coming directors as they do not have that "voice" which tells them what to do or what is required.
  • There is already a small list of scriptwriters, so we don't expect to see any film directors.